AusGrind: Australian underground grindcore, punk, doom and DIY culture.
22Feb/14Off

A review of Wolf Eyes’s “Always Wrong”

Posted by mothereel

Locked in a seismic, diabolical orgy of earthquake shattering proportions, an exhilarating place where few will gather the courage and strive to tread in perseverance, a place of spilling electronic whirls, spewing hisses and bone-splitting cracks, Always Wrong from American Mavericks - Wolf Eyes - throws you in an barren, oppressive cell of inexplicable sonic torture and throws away the key.

Look at those lines!

The cover art of the album.

Always Wrong is comprised merely of seven songs and is just under thirty minutes long. But, what they manage to achieve in that short amount of time is purely something that is nothing short of remarkable, whatever opposing, opinionated side you happen to sit with. It's a caustic, deafening achievement. The beauty is that in its confronting assimilation the music produces. To some it may certainly shock and provoke, perhaps only startle and leave you with an acrid distaste - a wonder that you never thought music could ever sound so hideous, but for everyone who is confronted with this embodiment of music they are left with that inseparable, curious imprint. The Cellar exudes this feeling perfectly; A lone, vindictive drunkard awash with fervent emotion, surrounded by ghostly purls of white noise, stands tall at the mount striking down, in sermon, before the intensified roar of blistering guitar splutters and battering bass drum kicks, the superficial and hypocritical value of those grovelling below. Living Stone pretends to imitate something a little softer before it reminds you where you came from and throws you back into the fray. Taking Extremities to the forefront, nothing short of tying rope to your legs and being dragged at high speeds along the tarmac is typical of Broken Order's Aural Onslaught - crushing, distorted cymbals and nauseating, guitar drones which cancel each other out at times from the sheer volume. An industrial, grinding, macabre pleasure that Wolf Eyes have made all their own.

The closing track - Droll/Cut the Dog - with its lamenting, harrowing yet softer melodies of church-like organs acts as a reminder of all the crazed, drunken, ungodly murderous acts that have led to the final act. What just transpired wasn't wrong, and it certainly isn't right - it merely is. Wolf Eyes with Always Wrong have produced a sound of their own, binding them in sacred apothecary, strewn with golden antiquity, and I for one am overjoyed there is a band adventurously prolific making music like this.

Much beard, so clarinet.

I believe this is the band.

www.wolfeyes.net

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The above review was written some time ago by a different man other than myself.  He has given me permission to publish this on his behalf.  Some minor edits have taken place, including altering of spelling and some minor house keeping issues.
I think he wants his name up here... If so, it's Adrian Johnstone... if not it's Kontoh.

   

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