Well, 2011 was yet another year dominated by souless, watered down music in the mainstream music industry. Bland garage/indie and horrid R&B-pop were, once again, the order of the day. Perhaps more disturbingly, some styles previously associated with underground music continued to be watered-down and repackaged into acceptable pop culture products - namely hardcore and metalcore, who have now seemingly completed their transition into music forms completely devoid of any human emotion or feeling. The post-rock scene similarly provided an endless supply of bands that sound exactly the same.
In spite of my general misanthropy towards the wider music scene, there were still some more unique gems to be had if you dug deep enough. What's more, I really felt like this was a great year for the various underground music scenes in Australia. I feel like there are more bands of more diverse styles going the DIY path, putting on great shows and releasing original, soulful music.
What more, Sydney was lucky enough to have Black Wire Records to actually support underground punk, hardcore, crust, powerviolence and grind.
Here's what I dug in 2011.
Top 5 releases of 2011
- The Devin Townsend Band - Deconstruction: Brilliant. Possible Devin Townsend's very best.
- YOB - Atma: If anything just for Before We Dreamed of Two and Adrift in the Ocean. An incredible doom record.
- Bjork - Biophilia: The best Bjork release since Homogenic.
- Graveyard - Hisingen Blues: I struggle to think of a better rock album released in the last decade.
- La Dispute - Wildlife: An honest and genuine emotional catharsis. Honest and genuine.
Top 5 grind(ish) releases of 2011
- The Kill - Shower of Bricks: the perfect distillation of intense grindcore.
- The Reverend Jesse Custer - The Reverend Jesse Custer: sludgy, raging metallic grind and hardcore.
- Fat Guy Wears Mystic Wolf Shirt - Counter Transference: techy polyrhythmic, sporadic math/grind bliss.
- IDYLLS - Amps for God / Plague Hell: furious fucking grinding metallic hardcore.
- Wormrot - Noise: blistering and intense.
The 10 albums I couldn't stop playing all year
- Emily Haines and the Soft Skeleton - Knives Don't Have Your Back
- Roots Manuva - Brand New Second Hand
- YOB - Atma
- Bohren & Der Club of Gore - Black Earth
- Bohren & Der Club of Gore - Sunset Mission
- Dax Riggs - Angel in the Dopesmoke (live bootleg)
- Neil Young - Dead Man soundtrack
- Neurosis - The Eye of Every Storm
- Worlds End Girlfriend - Hurtbreak Wonderland
- The Cinematic Orchestra - Every Day
The 10 Australian releases you really should have heard
- Hydromedusa - Self-titled: Adelaide stoner rock that just oozes bluesy class. (It's FREE! Get it!)
- sleepmakeswaves - And So We Destroyed Everything: An interesting post-rock record? Well I never!
- Pirate - Left of Mind: Fantastic Sydney instrumental prog.
- An Emerald City - The Fourth: Technically Kiwi, but a great, cinematic album.
- Tangled Throughts of Leaving - Deaden the Fields: These guys came outta nowhere (Perth)! Incredible progressive, piano-driven music mixed with progressive and post music.
- Mother Mars - Fossil Fuel Blues: Perhaps Sydney's greatest stoner/desert rock band.
- Arrowhead - Atomsmasher: Or perhaps these guys are?
- Serious Beak - Huxwhukw: Okay it's my band, fuck you.
- Squat Club - Corvus (remixed, remastered and re-released): Now with even more mind-bending polyrhythmic clarity!
- Fat Guy Wears Mystic Wolf Shirt Counter - Transference
My favourite live shows of 2011
- Portishead at Sydney Harvest Festival
- Eagle Twin at Manning Bar
- Gotye at Angel Place City Recital Hall
- Kyuss at The Big Top
- The Reverend Jesse Custer at Town Hall Hotel
- Captain Cleanoff and Death-Cult Jock at Black Wire Records
- Ruins, Darth Vegas, Slimey Things (Featherfest 2011) at TONE
- Clagg and Agonhymn at The Pony
- Space Bong, Looking Glass and Hydromedusa at The Sando
Australian grind hero of the year
- Jack of Die Pigeon Die. Just an all around good bloke who never relents in his selfless passion to support Australian grindcore.
You disagree? Oh what a surprise! What did you guys dig this year? Was it a good year? A shit year?
Alright! Today is New Years Eve and I'm at fucking work. How sad is that? In any case it has given me a quick chance to do my Top 6 Albums of 2009. Why my Top 6? Well, because I got to the 6th album I had selected and then grew bored.
Don't get too hung up on ranks and the like. What this list is meant to do is hopefully pique your interest in some music you havent heard before - so you can go check it out.
Overall I wasn't very impressed with the grindcore offerings of 2009. We had new albums from Napalm Death, Magrudergrind, Brutal Truth and Flagitious Idiosyncrasy In The Dilapidation which were all reasonable, but hardly groundbreaking or worth of intense praise. I think I'm at the stage where I really need to hear something different in a band, rather than a rehash of old genre cliches. The Kill's new live album was pretty fucking cool, but really most of those songs were quite old.
I'm definitely struggling to find grindcore that meets any of this criteria (and if you have any suggestions I'd love to hear it!). As for metal - well I'm fairly disillusioned and above all TOTALLY FUCKING BORED of death metal and most extreme genres. They are all too static.
In any case, here are my favourite albums of 2009!
1. Mastodon - Crack the Skye: You read correctly. I have dug Mastodon since Remission; and loved the heavy, sludge-ridden style they demonstrated on their first 3 releases. When Mastodon changed their tune in Blood Mountain, I no longer found the major identifiable elements that had let me previously enjoy the band. The production was comparitively thin, the clean sung vocals seems quite poor and inadequate, and that unabated crushing heaviness that I had come to associate with the band was no where to be found.
Then came Crack the Skye. I can only assume this is the album the guys WISHED they made the first time around. It is a fucking masterpiece of catchy vocal hooks (albiet slightly over-produced and clearly run through many filters), complex King Crimson-esque progressive passages, absolutely blistering guitar leads and wonderfully constructed songs. While Mastodon are definitely a band who people either seem to love or hate (infact my old man recently told me that he thought their album was terrible and was 'as bad as the stadium rock bands you used to listen to when you were 16') I definitely stand in the love camp. This album is a masterpiece, and it's ability to retain memorability and accessability while still being an absolute progressive rape is what it's all about for me.
2. Zu - Carboniferous: Apparently Zu have made 14 records since 1999 - so why the fuck hadn't I heard of them before? I only got this album a few weeks back, but it is fucking amazing. This Italian trio (drums, baritone sax and bassist) pulls out massive Meshuggah-styled rotating polyrhythms - but somehow they make it fucking dancable and catchy. How can a trio with no guitar be as heavy as Meshuggah? How can a seemingly endless supply of awkwardly ear-pleasing opposing rhythms and syncopations be so fun? I have absolutely no idea - but hark, it is so.
This is an obscene mix of metal, jazz, punk, noise and more. A huge warm fuzzed-out bass fits perfectly with a prominent live drum kit sound and the heaviness of baritone sax. A mix of The Melvins, Meshuggah, Hella (pfft) and John Zorn. Totally fucking crushing. Get into it.
3. Helm - Keelhaul… Volume 1: Alright so this album was technically released in the last few weeks of 2008, but I don't care. Helm hail from Queensland, Australia and play music stylistically similar to Cult of Luna, Isis, Jakob, Mogwai and all the rest. Listening to this band it is abundantely clear that Helm are not another derivative Cult of Luna band - how could they be? The average age of the band members is far above that of the bands they are so often compared to. By pulling in such a wealth of exprience and knowledge of music, Helm have provided is a refreshingly unique take on a genre that so often falls victim to rehashed Isis-worship.
They take their vocal and guitar melodies far beyond that of the aforementioned, and the fact that they are Australian - and can replicate their intricate melodies and dynamic shifts live just makes things even better.
4. Brian Campeau - Mostly Winter Sometimes Spring: Brian Campeau is the first Sydney local in this list. Born in Canada, Brian eventually moved to Australia. He is an absolutely incredible singer songwriter, with a voice that I would not hesitate to call beautiful or angelic. His music brings to mind the works of Thom Yorke or Bjork; incredibly emotive and usually vocal-driven. His tunes are marked by a meloncholy which stands in stark contrast to his amazing voice.
Brian is also an incredibly talented studio engineer - and it shows. He has moved far beyond being 'just another acoustic guitarist singer/songwriter' and flourished into an extremely complete musician with an amazing ear for sound textures and soundscapes. Mostly Winter Sometimes Spring acts as a concept album and takes the listener through a range of emotional highs and lows - but it is the completeness of this journey which really struck me. The entire album retains an intense emotional power - you can literally feel songs like 'Denial', 'Anger', 'Throwing Blame', 'Depression', 'Reinventing Myself', 'Acceptance' and 'Thankyou'.
To surmise; here you have a man with a voice so beautiful it should be illegal. His acoustic guitar playing (though sparse on the album) is truly unique and creative, and unlike anything I have ever heard. He has a very strong knack for setting mood through production techiques and soundscapes; not to mention his voice and lyrics. This album also features a wide range of guest musicians to provide double pass, saxaphone, brushes and other various touches. The music is seemingly stripped back, but holds a very distilled emotional power. Needless to say, I am floored.
5. Propagandhi - Supporting Caste: This was my first official taste of Propagandhi - and now I can really see what all the fuss is about. Furious ideallic punk rock tunes played at a frantic pace, but supported by very strong musicianship and incredibly articulate and intelligent lyrics. Over the years these guys have moulded into an incredible tight-knit unit, and coupled with their obvious intelligence and talent for lyric writing this launches them up into one of the best albums of the year.
6. Heroin and Your Veins - Nausea: I've been dabbling around with groups who play atmospheric, dark and doomy jazz. Bohren & Der Club of Gore's Black Earth was my first taste of the genre. The down-tempo jazz/doom on that album is far, far more crushing than the majority of "doom metal" I have heard. From there came an obsession with The Necks, and a taste of more atmospheric and cinematic approach from The Kilimanjaro Dark Jazz Ensemble.
I had absolutely no idea what to expect when I listened to this album from Heroin and Your Veins - the band's name definitely sounded like it would be a generic doom/drone band, so I was delighted when what greeted my ears was a cinematic spin on dark atmospheric doom/jazz, painting extremely moody aural portraits that combines the dark jazz of Bohren & Der Club of Gore with the spaghetti-western Morricone-esque touches of later Earth albums.
And for the record the new Mars Volta was fucking TERRIBLE.
Well now, you can download that 2 hour show if you feel so inclined. There are plenty of killer tunes in there from the likes of NoMeansNo, Beth Gibbons, Earth, Bohren & Der Club of Gore, Carla Kihlstedt and Venetian Snares alongside Australian artists like Brian Campeau, Gauche, Gotye and The Rivalry. I can just about guarantee this intense barrage of melancholy music will make you want to off yourself.
The Rivalry - —
Alice In Chains - Nutshell
Led Zeppelin - Babe I’m Gonna Leave You
Soundgarden - Fell On Black Days
The Beatles - Yesterday
Bjork - Gloomy Sunday
Weedeater - Woe’s Me
Bill Withers - Ain’t No Sunshine
The Mars Volta - Asilos Magdalena
NoMeansNo - The World Wasn’t Built In A Day
Clint Mansell feat. Kronos Quartet - Lux Aeterna
Venetian Snares - I’m Sorry I’ve Failed You
Bohren and der Club Of Gore - Midnight Black Earth
Brian Campeau - Throwing Blame
Carla Kihlstedt - Plane Song
Cult Of Luna - And With Her Came The Birds
Gauche - Can’t Get Back
Radiohead - Like Spinning Plates (live)
Gotye - Can’t Get Back
John Lee Hooker - Too Young
Portishead - Undenied
Beth Gibbons and Rustin Man - Show
Earth - Omens and Portents: The Driver
Botch - Afghamistam
I am a guest on Thematics 2RRR 88.5FM this Saturday night. I get to talk shit and program all the tunes from 11pm til 1am.
Since the show is 'Thematics' I have chosen a melancholy theme which will feature the likes of Gauche, The Rivalry, Bjork, Beth Gibbons, John Lee Hooker, Botch, Earth, Bohren & Der Club of Gore, Bill Withers, Soundgarden, Alice In Chains, Venetian Snares, Weedeater, Brian Campeau, Radiohead, Gotye, Nomeansno and some more music you would do well to hear.
Tune in or download the show after the fact at http://www.thematicsradio.com/ to hear my narcissistic self-important drug-affected ramblings. Also, be super-cool with the most important Facebook event you will ever virtually attend.