Just released through Fat Ass Records is a great grindcore split featuring the Australian terrors of single pedal metal The Kill and New York's The Communion who on this release are having a crack at some sludge styled grindcore.
According to my source, The Kill's side of the split contains 5 tracks of extremely fast grind, and includes a cover of the Napalm Death song 'Dead'. The Communion's side has 2 tracks of sludgey grindcore that combines elements of EyeHateGod, Buzzoven, Assuck & Phobia.
A good mix, with a little of something for everybody.
You can purchase it now through Fat Ass Records for 8 Euros / $10 with postage worldwide.
Gaza's 'No Absolutes In Human Suffering' is an excursion of dissonance, fury and blastbeats; a sludge-and-grind hybrid is delivered with seething nihilism and apocalyptic despair.
The group combine the grooving polyrhythms of Botch, the jarring fury of Converge and Coalesce, the sludgy hate of Eyehategod and the sheer blasting intensity of Pig Destroyer. The result is visceral and intense; breathing new life into some of the more tired aspects of hardcore.
What makes this album so powerful are occasional departures into reflective passages - like the ending half of When They Beg, which drifts off into a warm, droning meditation, boasting a melody that reminds me more of Genghis Tron's prettier moments.
The emotional impact of segments like this really set the band apart from many of the one-dimensional / one-mood bands I've turned away from in the past. It's a little concept called dynamics. You want to create the heaviest riff ever written? Well, write it, and then set it in the middle of a beautiful and delicate 10 minute major key dream piece. Its impact will be multiplied tenfold.
While I've been stuck in the mindset that most modern hardcore and grind is stagnant and uninteresting, bands like IDYLLS, In Trenches and Gaza are out to prove me wrong - and they're doing it quite well.
With 'No Absolutes In Human Suffering', Gaza have landed themselves one of the better releases in the genre for 2012.
Back in 2008 I wrote a piece called 'New bands you should know about in the Australian scene'. Since then, that piece has consistently been one of our highest traffic drivers. So, I've resolved to update my list to tell you a little bit about the Australian bands that are rocking my world now in 2012.
These Adelaide-based stoner/doom merchants and quite simply one of the fastest rising stars in Australia's underground. They Combine incredibly classy, high-energy blues-based rock with thc-drenched, psychedelic sensabilities, and an apprenticeship from our nation's greatest doom band, Space Bong, these guys are one hell of a dynamic and versatile
unit. They can make you tap your does, wallow in drugged-out bliss, or drop you into a pit of droning despair - like a magicial amalgammation of Church of Misery, Bongzilla, and Space Bong.
Go download their debut album for free. Word is they've been working on a new one; and I'm hoping they're a staple for this years Doomsday Festival.
The Reverend Jesse Custer
These Canberra grindpals are awesome, awesome, AWESOME. Seriously, I struggle to think of a more exciting Australian live band at this point in time. Every single time I've seen these guys play, I've been blown away -- and they just keep getting better.
The Reverend Jesse Custer mix up seething metallic hardcore, with gritty sludge, frenetic grind, feedback, fury and groove. As a band they're never sitting still. Their compositions are as intelligent as they are enjoyable. A single-tempo genre band these guys definitely are not.
Just fucking awesome. I don't feel like their recording fully does them justice, but you should check it out regardless. A new one has apparently already been put to tape.
Man, has these been a buzz about these guys! I'm writing this a few days before IDYLLS hit Sydney as part of their 2-week tour of Australia. Their new album "Farewell All Joy" has been kicking peoples asses for the last few months, and I simply cannot wait to see them unleash their bizarre form of aural carnage live.
These guys play unique, furious metallic hardcore here in the vein of Dillinger Escape Plan, Agents of Abhorrence and early Converge. Awesome. Go get it.
In Trenches play seething metallic hardcore from Melbourne. These veterans have been instrumental in leading Australia's new brand of hardcore - focused on infusing complex rhythms, post-metal, sludge and even psychedelic and blackened elements.
Their recent album Sol Obscura is a cracker. Check it out.
And now for something completely different. These guys remind me of the multi-headed beastfuck spawn of a smokey, seedy jazz band, a rock opera, a group of sketchy gypsy circus toughs, a brilliant improvised spoken-word poet descending into madness, and a degenerate that is forced to clown for meth. Essentially they're indescribably brilliant. Their music / performance is theatric, musically impressive, comedic, and generally just mind-blowing. Absolute insanity.
Features members of Squat Club, Darth Vegas, Gauche, The Bznzz, Slimey Things, Rica Tetas and other awesome things. They've got some live bootlegs up on their Soundcloud, but their debut album should be out through Art As Catharsis a little later in the year.
Jesus Christ Posse
Sydney old school hardcore punk rock executed brilliantly, and with a hilarious militant Christian schtick. Apparently at their last show they begun by reenacting the crucifixtion of Jesus on a giant cross, then raised their front man from the dead to start the first song.
Another one thats more of a live band, but check out the album.
Still the best droning doom band on the planet. Definitely up there with Yob, Iron Monkey, Eyehategod, Sunn O))), Earth and the like. They've got a new album coming out a bit
later in the year, but for now you can enjoy 2010's The Death of Utopia (though I'm not sure if 'enjoy' is the right word if we're talking one of the darkest and most depressive bands on earth).
Australian hardcore today seems to be a long way from the days of old Toe to Toe - or even the polished hardcore offerings of later-era Mindsnare. Today's scene is being shaped and driven by like In Trenches, Lo!, Totally Unicorn, Robotosaurus, The Rivalry (I miss you), Night Hag, No Anchor, IDYLLS, The Matador and At Dark. These bands are embracing experimentation, complex rhythms, noise, dissonance, dirging drone and ambience in a move away from the sterile 'one mood, one volume' sound of overcompressed modern hardcore - and this makes me exceedingly happy.
Melbourne's In Trenches really represent a lot of the best progressive elements in modern Australian hardcore. Their music has a basis in seething, noisy hardcore sludge with a slight black metal tinge and occasional departure into spacey post-metal meditation. They're forging a more dynamic and progressive style of heavy music that owe as much to bands like Isis, Cult of Luna, and Wolves in the Throne Room as they do Converge and Eyehategod.
Sol Obscura also represents a complete rejection of the sterile production of modern hardcore. There are no close-mic'd, beat-replaced drums to be found here, and the guitars are cold, squashed and over-compressed. Instead, In Trenches have opted for a far more organic approach, which allows for far more life, more feeling and more dynamics in the music. (Insert a recognition that recording/mixing was handled by a Joel Taylor at Three Phase Studios.)
If this is where hardcore music is moving - into more progressive and dynamic territory - then I can't wait to see how the style progresses. And it would seem that, once again, Australia is on the very cusp of a new development in underground music.
Do yourself a favour. Listen to In Trenches and support Australian underground music.
Nice one, Monolith.