AusGrind: Australian underground grindcore, punk, doom and DIY culture.

Saturday night: Serious Beak, Pirate and Dumbsaint at the Lansdowne

Posted by Lachlan

Serious Beak album launch with Pirate and Dumbsaint at the Lansdowne HotelThis Saturday 26 November, Serious Beak will be launching their debut album 'Huxwhukw' at a free show at the Lansdowne Hotel, joined by their progressive pals Pirate and Dumbsaint.

The even kicks off at 8pm and is absolutely free. More info over at the Facebook event.

Haven't heard Serious Beak? You can stream the album here. The band features members of Squat Club, Adrift for Days, Slimey Things, Battle Pope, Squid, Ebolie, the Mabobs, Push Air and the Puffy Jackets, Dyke Destroyer and many more.

Press release to follow:

"Huxwhukw" is an eccentric amalgamation of mind-melting, toe-tapping, psychedelic, progressive and poly-rhythmic discordant music, sure to please fans of Meshuggah, Mastodon, Botch, The Mars Volta and King Crimson.

Huxwhukw is the supernatural long-beaked cannibal bird and servant to Baxwbakwalnuksiwe, the Cannibal-at-the-North-end-of-the-world in Kwakwaka'wakw mythology. Huxwhukw uses his long, snapping beak to crack open the skulls of men to eat their brains and pluck out their eyeballs.

All hail Huxwkwux and the Crooked Beak of Heaven.

Serious Beak album launch with Pirate and Dumbsaint at the Lansdowne Hotel


Free download of Serious Beak’s single

Posted by Lachlan

Serious Beak - HuxwhukwSerious Beak have just thrown up their first single from their debut album "Huxwhukw" for free download.

Download or stream Tuī / Tuō now.

Find Serious Beak on Facebook.

Press release follows:

Sydney quartet Serious Beak represent an eccentric amalgamation of mind-melting, toe-tapping, psychedelic, progressive and polyrhythmic discordant music. Their style is marked by compulsion; by weaving, complex compositions and mind-bending opposing rhythms, which speak as much to the attention-deficient as much as progressive and math music aficionados.

"Huxwhukw" is set to be released on Saturday 26 November 2011, and is available now for pre-order through BandCamp. The album draws from a varied palate of musical influences, including Meshuggah, Secret Chiefs 3, Danny Gatton, King Crimson, Botch, The Refused, Mastodon, The Mars Volta, Horacio Hernandez, Cephalic Carnage and Allan Holdsworth.

Huxwhukw is the supernatural long-beaked cannibal bird and servant to Baxwbakwalnuksiwe, the Cannibal-at-the-North-end-of-the-world in Kwakwaka'wakw mythology. Huxwhukw uses his long, snapping beak to crack open the skulls of men to eat their brains and pluck out their eyeballs.

All hail Huxwkwux and The Crooked Beak of Heaven.


Interview with Cam of Five Star Prison Cell

Posted by Lachlan

Cam of Five Star Prison CellI recently sat down and interview Cam of Melbourne's incredibly talented Five Star Prison Cell a few weeks before their highly anticipated new album M A T R I A R C H drops (June 4th, 2010). The band has been one of my personal favourite Australian bands for a long, long time – Ebolie/Serious Beak can't get enough of these fools – so it with great pleasure that I present the following interview.

(Reposted from my blog at 65 Degrees Music Cafe, which covers 'good music' instead of just grindcore)

Alright first up, what influences you guys (musically or otherwise) first as a band, and then as an individual?

Haha... I hate this question… Ok, like with anything, musical tastes change and evolve. Bands you may have loved grow less and less exciting either due to listening to them too much or the whole “like their old stuff better than their new stuff” sort of thing… So what influences us as a band? Probably not sounding like other bands… Or taking what we love about various bands and music and applying that to the music we create. Is that ambiguous enough for you?

We’re also movie buffs. We all like to read and discuss nerd shit, so that may come out in our music as I guess its kinda music for music nerds.

As for what influences us individually, that chops and changes all the time. Our music tastes are different, we all sort of branch out into shit that other band guys may not like (like when the rest of the band crank fucken Guns of Roses in the van and I am the one band guy who don’t care for them). It’s hard to say anything specific. Just music in general influences us; we’re always looking for something new to listen to.

How happy are you personally with your first two albums The Complete First Season and Slaves of Virgo?

Yeah that’s hard to answer… An album is a snapshot of what a band was like at a given time right? And bands move on and evolve in their craft, so looking back you kind of feel like what you do currently is better. I know I was happy as a pig in shit when The Complete First Season was recorded. We were less happy with Slaves of Virgo. There were some parts of it we would have done differently, and some laziness on the part of the producer – but now we have M A T R I A R C H we can hold all 3 albums up together and look back with a fondness for the first two that we didn’t have before…

So the answer is ‘Yes, we are happy’.

How would you compare the mindset of the writing and recording process of your latest album M A T R I A R C H (out June 4), compared to its two predecessors?

Definitely very different. I mean, first off you have the culmination of 5 years of writing, recording and doing shows together, so there is a natural evolution. There was also a huge focus on being better songwriters, letting the music breathe and build instead of chop and change riffs, or technicality for technicality’s sake…

And finally, the recording was a different experience with a different (and excellent) producer. We all had more input into everyone’s parts and we also had opportunity to take mixes home make notes and come back and get it adjusted, rather than doing a final mix and that’s it. So we are much happier with M A T R I A R C H as a band and we’re older, wiser, more jaded and our approach this time was much more focused.

The difference in production between The Complete First Season, Slaves of Virgo and now the few songs I’ve heard from M A T R I A R C H seem quite substantial. Were there any conscious changes you made for the new album?

Yeah; ‘step it up’. That’s always our conscious decision. Out do the last album in everything from production, to artwork and of course songwriting. The conscious change was to a) Spend more money and be particular about the production we want b) definitely use a different producer, just for the new experience and a fresh take production-wise on our music.

We also wanted to try hard to capture that live energy we have in the recording, that’s what we felt the first 2 lacked… that intensity of 4 dudes playing in a room, rather than being too overly produced and losing some of that.

Congratulations on the SWR sponsorship by the way. How did that come about?

Thanks man. I guess I have some folk at Fender to thank for that and the fact that they believe in and support what we do. My guy Heath came to a show in Sydney and pretty much offered it afterwards, which I was fuckin’ stoked about! The Fender (SWR/Jackson) crew have been nothing but awesome and we are honored to be their endorsees.

What guitar gear did Marek use on the latest album?

Marek used his Jackson of course. The main bulk of the guitar sound comes from a Mesa Boogie Triple Rectifier, but we blended in some other amps just to vary the sound a bit. Those were a Sherlock, and a Marshall JCM 800. Some parts also have some different guitars in there.

Can you promise me never to use that kick drum sound on Slaves of Virgo ever again?

So unbelievably done… Don’t worry man…

Does M A T R I A R C H have an overall concept or a theme that resonates with you?

Yeah it has a meaning to us all – It’s sort of a mix of things. The themes that run through the album are women (hence the title), but not in a pissed off we were burned by a chick sort of way. It’s more a respect thing, or the power they have over people and the world.

Then we have the Sun, which is like a sign of new life, or new beginnings… The supernova on the front represents this. A Matriarch is someone who has the power to create and control life, same with a supernova. We are all made from material that originated from a supernova. In fact everything we know is – and a supernova can take that away just as easily. Powerful shit.

We also have a thing about Airsharks which is an in joke that I won’t go into here.

Could you explain the standard Five Star Prison Cell writing process? How do you guys pull everything together?

It varies with different songs, but that main process is this:

Marek our guitarist is a treasure-trove of fucked up insane guitar parts. What that guy has running through his head always astounds me. Then he takes that to our drummer and to paraphrase our Helm friend Lucas (who used to be in a band with our drummer), he takes a song you have written then almost writes a new song on top of it with his drum parts… So you may have an idea for what you want the drums to do, but once you give something to Marc he will have an even better idea. He is a very creative drummer.

So those two together pretty much come up with most of our shit and as a team of writers they are amazing. They work and work – obviously one can’t learn a Marek riff straight away so Marc drummer will take it home and come back next week with something completely unexpected and awesome.

During all that I put in my 2 cents, especially structure wise, and my bass parts are geared around complimenting what those two do. And of course our wordsmith Adam writes his lyrics which he is more than happy to share and take our input, so it is a very collaborative experience coupled with a deep respect with what each other does but also complete honesty. There are no egos, so if we don’t like something we just say it, what is important to us is what is best for the song. That may mean playing nothing.

That said, Marek has written complete songs, Marc may come to us with drum parts and we build on that, Adsy has written a few songs or given us a basis and even the lowly bass player has a few songs to his name in our 3 albums. Basically it’s a complete and utter collaboration.

The girl who sang on The Rise and Fall of Red Sparrowes off of Slaves of Virgo. Who was she? She was amazing.

Haha, That’s Rebekah Chapman, my ex girlfriend, who was of course not my ex at the time (or at least some of the time). She is a very talented individual and we are of course honoured she was a part of that album. She has collaborated with Adam in the past on Coitus Bund and can now be found singing in a girl-only a-capella type band called The Nymphs.

She is also a classically trained pianist and holds a music degree. Like I said – talented.

I understand that you’re a man of fairly diverse musical tastes. So tell me, what does Cam listen to after a hard days polyrhythmictechrape to unwind?

Hahaha… Right now I’ve discovered dub thanks to a sound guy up in the Blue Mountains, so I’ve been cranking various dub albums. Alongside that Mastodon continue to do it for me as well as Midnight Oil, Queen, Cypress Hill, Fleetwood Mac, Bill Withers – I like my 80’s and 90’s pop (which you well know Lachy) – Neurosis, Cult of Luna, Candiria (who I keep coming back to, I love the shit out of them), James Brown, Michael Jackson, Parliament, The Police, Prince and of course the mighty Ween… And that’s just some of the shit I listen to.

Apart from the above world famous massive bands, plenty of Aussie cunts manage to put a lot of bands to shame. I’m talking specifically about Squat Club who blew my mind, along with Adrift for Days, and Helm.

Heard any new, up and coming bands that have blown your mind lately?

Yep. Adrift for mother fuckin Days. Bring it cunts!

Also Helm rule the world and a band called Red Bee impressed the fuck out of us when we were up in the Blue Mountains a couple of weeks ago. There is a band in Wellington called Elephant of the Ocean who were nothing short of amazing when we played with them last year and who I am personally watching closely.

You guys have been touring quite heavily in support of this new album. Tell us about the experience of touring regional NSW, and whether you’d recommend it to other bands.

All awesome. That country town thing where they don’t get heaps of bands come through seems to work in our favor. The crowd is really vocal and seem to love what we do for some reason so we have been having great experiences. I would definitely recommend it to other bands.

Make sure you play with the local bands down there as they will always put on a killer show and you are guaranteed to play in front of their regular crowd who are keen to stay and watch the interstate touring band and if you do a good job you will be rewarded with regional lovin’.

You seem to be one of the few bands to brave a trip over to our cousins to the east – New Zealand. Can you tell us about that experience?

Excellent both times we went. What caught our attention straight away was the quality of the bands there. It may be an isolation thing but man, the creativeness, especially in Wellington, and the quality of the music is world class. It saddens me that we don’t hear about NZ bands more than we do, they are also the nicest people you will ever meet… Plus weed is like running water over there and everyone is keen to “have a sesh bro” (said in a try hard NZ accent)… Awesome place man. Awesome.

When are we going to see your nice faces in Sydney again?

You will see our nice faces at the following:

  • 10th June @ Hot Damn
  • 17th June @ Oxford Tavern, Woolongong
  • 18th June @ The Empire Hotel, NSW
  • 19th June @ Hamilton Station hotel, Newcastle
  • 20th June @ Lucky Australian Tavern, St Marys (ALL AGES)

Any plans to tour internationally on the horizon? I’m surprised you haven’t already.

Yes! Definitely plans. We’re looking at going over late this year or next year. There are discussions in the works and our deal with Riot!/Warner affords us some cool opportunities... so more to come, but yeah, world domination is indeed part of our plans.

Thanks for that pal. Hear these jerks at and be sure to look out for the new album M A T R I A R C H which is sure to be up there with the best of 2010.


Lachlan’s top 6 albums of 2009

Posted by Lachlan

Alright! Today is New Years Eve and I'm at fucking work. How sad is that? In any case it has given me a quick chance to do my Top 6 Albums of 2009. Why my Top 6? Well, because I got to the 6th album I had selected and then grew bored.

Don't get too hung up on ranks and the like. What this list is meant to do is hopefully pique your interest in some music you havent heard before - so you can go check it out.

Overall I wasn't very impressed with the grindcore offerings of 2009. We had new albums from Napalm Death, Magrudergrind, Brutal Truth and Flagitious Idiosyncrasy In The Dilapidation which were all reasonable, but hardly groundbreaking or worth of intense praise. I think I'm at the stage where I really need to hear something different in a band, rather than a rehash of old genre cliches. The Kill's new live album was pretty fucking cool, but really most of those songs were quite old.

I'm definitely struggling to find grindcore that meets any of this criteria (and if you have any suggestions I'd love to hear it!). As for metal - well I'm fairly disillusioned and above all TOTALLY FUCKING BORED of death metal and most extreme genres. They are all too static.

In any case, here are my favourite albums of 2009!

1. Mastodon - Crack the Skye: You read correctly. I have dug Mastodon since Remission; and loved the heavy, sludge-ridden style they demonstrated on their first 3 releases. When Mastodon changed their tune in Blood Mountain, I no longer found the major identifiable elements that had let me previously enjoy the band. The production was comparitively thin, the clean sung vocals seems quite poor and inadequate, and that unabated crushing heaviness that I had come to associate with the band was no where to be found.

Then came Crack the Skye. I can only assume this is the album the guys WISHED they made the first time around. It is a fucking masterpiece of catchy vocal hooks (albiet slightly over-produced and clearly run through many filters), complex King Crimson-esque progressive passages, absolutely blistering guitar leads and wonderfully constructed songs. While Mastodon are definitely a band who people either seem to love or hate (infact my old man recently told me that he thought their album was terrible and was 'as bad as the stadium rock bands you used to listen to when you were 16') I definitely stand in the love camp. This album is a masterpiece, and it's ability to retain memorability and accessability while still being an absolute progressive rape is what it's all about for me.

2. Zu - Carboniferous: Apparently Zu have made 14 records since 1999 - so why the fuck hadn't I heard of them before? I only got this album a few weeks back, but it is fucking amazing. This Italian trio (drums, baritone sax and bassist) pulls out massive Meshuggah-styled rotating polyrhythms - but somehow they make it fucking dancable and catchy. How can a trio with no guitar be as heavy as Meshuggah? How can a seemingly endless supply of awkwardly ear-pleasing opposing rhythms and syncopations be so fun? I have absolutely no idea - but hark, it is so.

This is an obscene mix of metal, jazz, punk, noise and more. A huge warm fuzzed-out bass fits perfectly with a prominent live drum kit sound and the heaviness of baritone sax. A mix of The Melvins, Meshuggah, Hella (pfft) and John Zorn. Totally fucking crushing. Get into it.

3. Helm - Keelhaul… Volume 1: Alright so this album was technically released in the last few weeks of 2008, but I don't care. Helm hail from Queensland, Australia and play music stylistically similar to Cult of Luna, Isis, Jakob, Mogwai and all the rest. Listening to this band it is abundantely clear that Helm are not another derivative Cult of Luna band - how could they be? The average age of the band members is far above that of the bands they are so often compared to. By pulling in such a wealth of exprience and knowledge of music, Helm have provided is a refreshingly unique take on a genre that so often falls victim to rehashed Isis-worship.

They take their vocal and guitar melodies far beyond that of the aforementioned, and the fact that they are Australian - and can replicate their intricate melodies and dynamic shifts live just makes things even better.

4. Brian Campeau - Mostly Winter Sometimes Spring: Brian Campeau is the first Sydney local in this list. Born in Canada, Brian eventually moved to Australia. He is an absolutely incredible singer songwriter, with a voice that I would not hesitate to call beautiful or angelic. His music brings to mind the works of Thom Yorke or Bjork; incredibly emotive and usually vocal-driven. His tunes are marked by a meloncholy which stands in stark contrast to his amazing voice.

Brian is also an incredibly talented studio engineer - and it shows. He has moved far beyond being 'just another acoustic guitarist singer/songwriter' and flourished into an extremely complete musician with an amazing ear for sound textures and soundscapes. Mostly Winter Sometimes Spring acts as a concept album and takes the listener through a range of emotional highs and lows - but it is the completeness of this journey which really struck me. The entire album retains an intense emotional power - you can literally feel songs like 'Denial', 'Anger', 'Throwing Blame', 'Depression', 'Reinventing Myself', 'Acceptance' and 'Thankyou'.

To surmise; here you have a man with a voice so beautiful it should be illegal. His acoustic guitar playing (though sparse on the album) is truly unique and creative, and unlike anything I have ever heard. He has a very strong knack for setting mood through production techiques and soundscapes; not to mention his voice and lyrics. This album also features a wide range of guest musicians to provide double pass, saxaphone, brushes and other various touches. The music is seemingly stripped back, but holds a very distilled emotional power. Needless to say, I am floored.

5. Propagandhi - Supporting Caste: This was my first official taste of Propagandhi - and now I can really see what all the fuss is about. Furious ideallic punk rock tunes played at a frantic pace, but supported by very strong musicianship and incredibly articulate and intelligent lyrics. Over the years these guys have moulded into an incredible tight-knit unit, and coupled with their obvious intelligence and talent for lyric writing this launches them up into one of the best albums of the year.

6. Heroin and Your Veins - Nausea: I've been dabbling around with groups who play atmospheric, dark and doomy jazz. Bohren & Der Club of Gore's Black Earth was my first taste of the genre. The down-tempo jazz/doom on that album is far, far more crushing than the majority of "doom metal" I have heard. From there came an obsession with The Necks, and a taste of more atmospheric and cinematic approach from The Kilimanjaro Dark Jazz Ensemble.

I had absolutely no idea what to expect when I listened to this album from Heroin and Your Veins - the band's name definitely sounded like it would be a generic doom/drone band, so I was delighted when what greeted my ears was a cinematic spin on dark atmospheric doom/jazz, painting extremely moody aural portraits that combines the dark jazz of Bohren & Der Club of Gore with the spaghetti-western Morricone-esque touches of later Earth albums.

Worthy mentions:

Baroness - Blue Record
Converge - Axe To Fall
Fever Ray - Fever Ray
Kylesa - Static Tensions
Om - God Is Good
Shrinebuilder - Shrinebuilder

And for the record the new Mars Volta was fucking TERRIBLE.


News from Extortion, Dining in Tuscany, Code of Lies and Michael Crafter

Posted by Lachlan


  • Mastodon and The Mars Volta are apparently playing Big Day Out (here's hoping Mastodon headline a side show)

Moral for the day: just remember that if God wanted us to kill babies he would have made them all Chinese girls.


Sorry for the lack of updates this week (you jerks)

Posted by Lachlan

Frank Zappa for no real reasonI've got some major project on at work which has even obliged me to come and work on the fucking weekend. How inhumane. I won't have much time to post bullshit up until April 6, but I'll give it a shot.

Also, I believe Matt is off galivanting up the coast under the guise of work - so you won't be treated to faux-grind and folk news updates for a few days either.

Mastodon's incredible new album Crack the Skye is out now. You should definitely check it out (not to mention read my review).

Dyke DestroyerDyke Destroyer

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