IDYLLS' new album, optimistically titled 'Farewell All Joy', is available now through Monolith and Tenzenmen.
When you pre-order the 12" you get an IMMEDIATE download of the album. It's fucking loose. They've got some cool shirts too. Check it out if you're into Agents of Abhorrence, early Converge or Discordance Axis (and maybe Daughters or The Locust?).
Press thing says this:
‘Farewell All Joy’ is an intense journey that brings to ferocious light the uglier sides of human experience. Brisbane’s IDYLLS balance astounding technical precision and an unbridled punishment across all instruments with a gnashing, multi-faceted vocal input. The 10 harrowing tracks warp 20 minutes through an insurmountable passage of time, with absolutely maniacal arrangements, grinding intensity, and sudden yet progressive drops in mood as key components.
Perhaps I should be more accurate. Is this the future of intense, chaotic music? Whereas so many bands that define themselves are 'grindcore' in a pure sense seem doomed to rehash the same tired old influences*, it feels like this crazy little band out of Brisbane spend their time pushing far more interesting ideas - not only in terms of riffs, rhythms and structures, but also sonically; their overall choice in tones and sounds.
On IDYLLS 'Farewell All Joy' the guitars crackle and squeek and scream and sparkle in the most bizarre way. Instead of creating clear, thick riffing, the guitars seem to attack with frantic metallic stabs - and effect is unique as it is discomforting. Lord knows what fucking absurd riffs they're playing half the time.
Disjointed sections, convoluted rhythms and dissonance rule in IDYLLS world - and this is matched by an overall production aethetic that is dry, trashy, and metallic. The result is pure cacophanous mayhem. It's like IDYLLS are digging into the very essence of sonic discomfort and chaos, and the effect is a very convincing one.
Unexpectedly, the final track 'Susy' departs into errie of reverb-drenched tremolo drone and feedback - almost referencing something that Earth might write. It's an interesting way to end the album after 9 songs of largely swirrling chaos (the exception being the more mid-paced breakdown of 'Amps For God / Plague Hell'). Or maybe I should rephrase that - it's an interesting dynamic to introduce in opposition to everything else on 'Farewell All Joy', but as an album bookend it just seem too typical and too contextless. I really like the concept and the idea, but I hope these more moody or dynamically dissimilar ideas are explored a little more within the actual body of the album in the future, rather than slapped on as an outro. It just seems too cheap.
But I digress. Overall "Farewell All Joy" is an intense, interesting and worthwhile take on modern hardcore. It's satisfyingly chaotic, and really leaves me wanting to catch these guys live, and curious as to where they will take their sound with future releases.
Definitely check it out if you're a fan of early-Converge, Agents of Abhorrence, Daughters, and Discordance Axis.
* If you hold a dissenting opinion, please provide reference to grind brands doing new and interesting things. I would love to hear some new fucking grindcore that doesn't bore me into a predictable death.
The sound of Australian hardcore is changing. The music seems to be getting darker and heavier with every passing year.
Australian hardcore today seems to be a long way from the days of old Toe to Toe - or even the polished hardcore offerings of later-era Mindsnare. Today's scene is being shaped and driven by like In Trenches, Lo!, Totally Unicorn, Robotosaurus, The Rivalry (I miss you), Night Hag, No Anchor, IDYLLS, The Matador and At Dark. These bands are embracing experimentation, complex rhythms, noise, dissonance, dirging drone and ambience in a move away from the sterile 'one mood, one volume' sound of overcompressed modern hardcore - and this makes me exceedingly happy.
Melbourne's In Trenches really represent a lot of the best progressive elements in modern Australian hardcore. Their music has a basis in seething, noisy hardcore sludge with a slight black metal tinge and occasional departure into spacey post-metal meditation. They're forging a more dynamic and progressive style of heavy music that owe as much to bands like Isis, Cult of Luna, and Wolves in the Throne Room as they do Converge and Eyehategod.
Sol Obscura also represents a complete rejection of the sterile production of modern hardcore. There are no close-mic'd, beat-replaced drums to be found here, and the guitars are cold, squashed and over-compressed. Instead, In Trenches have opted for a far more organic approach, which allows for far more life, more feeling and more dynamics in the music. (Insert a recognition that recording/mixing was handled by a Joel Taylor at Three Phase Studios.)
If this is where hardcore music is moving - into more progressive and dynamic territory - then I can't wait to see how the style progresses. And it would seem that, once again, Australia is on the very cusp of a new development in underground music.
IDYLLS are a fucking whack grindy, chaotic, sort-techy, noisy, sorta-metallic hardcore band from Brisbane. Seriously, the guitar tones they use and the riffs they write are pretty fucking whack.
Anyway, they've got a new track out called "Teenage Noose" from their upcoming release "Farewell All Joy" out soon on Monolith and Tenzenmen. Seems positive.
American post-pals Rosetta are hitting Australian shores once more thanks to Monolith.
Here are the dates brah. Supports TBA.
25/07 Perth at The Rosemount
26/07 Perth at TBC
27/07 Brisbane at TBC
28/07 Sydney at The Sandringham Hotel
29/07 Wollongong at Yours & Owls
30/07 Sydney at Black Wire Records
01/08 Canberra at Bar 32
02/08 Melbourne at The Curtin Bandroom
03/08 Geelong at The National Hotel
04/08 Melbourne at Black Goat Warehouse
05/08 Adelaide at Enigma Bar
06/08 Adelaide at TBC
07/08 Melbourne at The Bendigo
08/08 Newcastle at The Great Northern
09/08 Brisbane at The Zoo
Those crazy South Australian kids outta Night Hag have to be some of the hardest working punx in all of Australia. They managed to record 5 new tracks for a new 7" shortly before rocking the shit out of South East Asia.
These dudes play a cool mix of black-metal-tinged hardcore punk. Their new 7" is called Confidence Man and is out 26 April through those fine chaps at Monolith.